Curated by Hank Willis Thomas and Natasha L. Logan, White Boys charts the ways artists are aestheticizing white, male identity in the United States today. Privilege, invisibility, fear, anxiety, purity, emptiness, cowardice–whiteness and masculinity conjure an array of competing associations, emotions and imagery. Taken together, they present a perspective paradoxically ever-present and ever-absent: white is both the sum of all colors and no color at all. But how have whiteness and masculinity ‘evolved’ as relational constructs vis-a-vis blackness, femininity, and sexuality, modes of otherness that have often been scrutinized and alienated? Where are these terms’ entrenchments, and where do they become more pliant? Through photography, video, painting, printmaking and sculpture, the ‘white’ and ‘non-white’ artists of White Boys variously imagine male whiteness within this broader network of racial and sexual tropes and identities, marking seeming commonalities and more subtle gradations.  March 22 – May 3rd, 2013

We printed for artist Sean Fader on Ilford Pearl Paper. Cannot wait to see this show!

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One of our favorite clients has made a new film. We cannot wait to see this!

Harvey Wang Lecture: For my artist lecture at CAP, I will discuss and share segments from my current film project, From Darkroom to Daylight, about the transition in photography from chemical to digital processes. For the film, I’ve had conversations with over 40 photographers and others, including Sally Mann, David Goldblatt, Gregory Crewdson, George Tice, Elliot Erwitt, Taryn Simon, Jerome Liebling, Susan Meiseles, Platon and Alex Webb. I’ve visited the Ilford factory in England to talk to their chairman about film production, and I’ve interviewed Steven Sasson, who invented the digital camera while at Kodak, as well as Thomas Knoll who created Photoshop, the image manipulation application sold by Adobe

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